Discography
PROMISE NOTHING
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  • SINGLES 1982-1987
  • ALBUMS 1982-2021
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formatvinyl tape blank2 blank2a blank3 additional songwords press blank8 vid additional
CATALOGUE WYF5-14
FORMAT MC
LABEL WHY FI
RELEASE DATE SEPTEMBER 1983
SLEEVE DESIGN Martyn Atkins and David A Jones for Town & Country Planning, Sonning. Back cover photograph by Tom Sheehan.
CURRENT VALUE £20
TRACK LISTING WRITERS PRODUCER RECORDED
WE WILL MEET THEM AGAIN Virginia Astley Jon Astley & Phil Chapman Hammersmith, London
ARCTIC DEATH Virginia Astley Jon Astley & Phil Chapman Hammersmith, London
ANGELS CRYING Virginia Astley Jon Astley & Phil Chapman Hammersmith, London
SANCTUS Virginia Astley Jon Astley & Phil Chapman Hammersmith, London
LOVE'S A LONELY PLACE TO BE Virginia Astley Jon Astley & Phil Chapman Hammersmith, London
SOARING Russell Webb Jon Astley & Phil Chapman Hammersmith, London
FUTILITY Virginia Astley/Wilfred Owen David Lord Crescent Studios, Bath
A SUMMER LONG SINCE PASSED Virginia Astley Russell Webb & Virginia Astley Barley Break, Moulsford
IT'S TOO HOT  TO SLEEP Virginia Astley Russell Webb & Virginia Astley Barley Break, Moulsford

NOTES

Promise Nothing was a compilation album that combined Virginia’s Why-Fi recorded material, including the tracks from the A Bao A Qu EP, ‘Love’s A Lonely Place To Be’ single and two tracks from her debut album From Gardens Where We Feel Secure.

Promise Nothing was licensed to the Sire label in Canada, the Les Disques du Crèpuscule label in Belgium and the Nippon Columbia label in Japan. This release was issued in Canada through Sire records.

Prior to this release, Virginia had expressed unhappiness with her time on Why-Fi and, as a result, parted ways with the label. Promise Nothing was a release that Why-Fi were able to produce following Virginia’s departure, although she was unhappy with the record itself.

Virginia expressed her dissatisfaction in an article in Blitz magazine in 1985. "I was really annoyed when it first came out because there was all this material that I'd written and which was presented out of context as a new LP by me. It came in a really horrible scratchboard sleeve design that would have been better if had REALLY been done by a child. On the front was a picture of someone drowning, it was as if they'd said, 'Oh yes, she's a morbid girl, put something depressing on the sleeve.' I wrote and told them how much I hated what they had done and now I find out they've re-released it without telling me. The sleeve is better but it's still giving the impression that it's a new LP. I'm sick of it."

'We Will Meet Them Again', Arctic Death', 'Angels Crying' and 'Sanctus' had originally appeared on the 1982 EP A Ba A Qu (also the first release by Virginia on the Why-Fi label).

'We Will Meet Them Again' featured words taken from a translation of Gustav Mahler's Kindertotenlieder (Songs On The Death Of Children). The melody for this song was also used by Virginia for the song 'Joy' which features on the Richard Jobson album The Ballad Of Etiquette.

The melody for 'Angels Crying' was also used as incidental music on the track 'A Long Absence (Un Entetien Avec Marguerite Duras)' from the Les Disques Du Crépuscule compilation album The Fruit Of The Original Sin.

'Love's A Lonely Place To Be' was released as a single in January 1983. The song emerged during sessions at the home studio of producer/engineer Phil Chapman in 1982, co-engineered & produced with Jon Astley (Virginia's musician/producer brother). On its released, it reached No. 7 in the UK Independent charts.

'Soaring' was written by Russell Webb, who also worked with Virginia on her 1983 debut album From Gardens Where We Feel Secure. Two versions were recorded, with one featured as the B-side to 'Love's A Lonely Place To Be', while a more polished, smoother version appears here.

'Futility' features words taken from the Wilfred Owen poem of the same name set to music composed by Virginia. This is a remixed version of the track which originally featured on the cassette compilation Mighty Reel (4 lines of vocals have been mixed out to allow prominence for the oboe).

'A Summer Long Since Passed' originally appeared as a B-side track on the 12" version of 'Love's A Lonely Place To Be' and subsequently appeared on Virginia's debut album From Gardens Where We Feel Secure.

 

TRIVIA

'We Will Meet Them Again', Arctic Death' and 'Angels Crying' had previously formed part of the live set by The Ravishing Beauties during their support slot for The Teardrop Explodes.

'A Summer Long Since Passed' was titled 'A Summer Long Since Past' when it appeared on the album From Gardens Where We Feel Secure.

The sleeve design of the single 'Love's A Lonely Place To Be' was reused for this album.

The sleeve photo is of the River Thames at Sonning Bridge.

E-mail: info@virginiaastley.com

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